Yellow border denotes current featured 'main', which is who you'll find me on for PvE content and during downtime.
Eirene du Charbonneau
A remnant of ages past, a history the Gridanians would rather leave forgotten. Hailing from a suspiciously similar line of portraited pharmacists, Eirene spent her life in reverence of Gelmorra, and when the Gridanians left to start a new life on the surface, was amongst those who stayed behind. Since then she's hardly aged a day, and her fairy and hum has lit the dark below as a lone hermit wanderer for years upon dreary years. Recently, though, some truth came to light amongst her people - and she found herself out on the surface to fend for herself again.
Shinshoku no Natsuki
Kami-devout, Tsukuyomi-wed; she changed her fate in pursuit of truth. A shrine maiden from a young age, and now kannushi by default of what little remains of her temple. Freed from the yokes of her Garlean occupiers, their retreat did not come without a final spit in the face - a torch to the places she held sacred. Now, she follows the light of the one shintai even the Garleans' flying machines cannot corrupt, wherever her Lord deems fit to shine.
Hrje, of Iryut: The Hoplite
Two hundred years and more within the boughs of the Wood; this venerable esper-huntress the Wood-Warder agent of change hidden in the dark. Sticking to the Green Word even beyond her home's reach, she clings to old ideals. Beyond the safety of the treeline, she hunts not gods nor demons, but a prey far worse than either of them: Man.
One, two, red, blue; dancing mania made manifest upon the surface of this star, the Himaa twins are not uncommon amidst their clan for the nature of their duality. For the primal nature of their bewitching dance and deadly ribbons set a twirl, however, the Himaa are feared as wildcards in the annual Naadaam and revered as a luxury service for which the victor might enlist the aid of to better relations with the Himaa clan. The steppe is too small to hold such boundless divas, though, and they inevitably broke free of its grassy cage. A deadly race against time ticks away to the tempo of their exhaustive dance, a game with life on the line; and they're all in, playing for keeps.
J'leytai, the Jackal Queen
A prize to be won for the nunhs of the J, to be sure. Perhaps this is why they believed the Garleans would receive her as a gift of value that she was when they sent her to improve relations with the Garleans in Ala Mhigo so that they might retain their home in the ancestral peaks. Her sacrifice in vain was avenged by Rhalgr when a bolt of levin struck down their Emperor for their crimes, but even the Grand Companies viewed this hunt-speaking princess as but a spoil of war. At the first touch, she proved them wrong and coronated herself in blood, fleeing far and away from all those who gave her away. Her empire, she knows, will rise soon.
Rich enough to buy half of Ul'dah, not paid enough to care, Rereja is an independent investor with far more money than immediately obvious brains. Fashionista wannabe, Rereja lives like a queen and pays like one too. If divinity truly is the colour of gold, dah~ling, then she's the only God that matters. She wasn't born with a silver spoon in her mouth, because silver is too cheap for her. She insists she was born with a seventy-two-carat diamond-encrusted platinum-white-gold spoon in her mouth instead.
Insufferability aside, though, she /does/ pay well... and has many, many gigs as cogs in her enigmatic machinations.
A hulking goliath of a Hrothgar, Milenko lost his queen and most of his clan to the Garleans. A slave for years, he regained his freedom after a daring mutiny against his ship's captain, whereupon he and the few other survivors crashed upon Vylbrand's shores. Left with only a few of his queen's personal effects, he garbs himself in physical reminders of what he's lost, in hopes to one day be offered the chance to fight for a world in which no other might have to endure the same loss.
A man with a sad smile and a story he doesn't tell.
Those who are involved already know it, and the rest need not concern themselves.
I used to be extremely stringent on lore and to a degree I still kinda am - I still don't really engage with things that are specifically stated /not/ to exist. (which, again, lore is REALLY REALLY REALLY loose.) However, recent revelations have had me loosen my stance with the realization that more important than the specifics of the lore (which no one can know by heart entirely, let's be real) is thematic/narrative consistency (and being 'lore accurate' just turned me /into/ the asshole instead of filtering them out, like TSA but worse). That said, these citations do form the backbone references for my character(s) and might explain why I flavor a thing working one way where you might know it another.
I generally try to avoid mentioning time, but frankly if I have to I'll use real-time analogues rather than the stupid 'haha the whole game happened in a year' time bubble. I also don't go by the statement that there are no language barriers in FFXIV, because... there very much are?
The main sources which cover important tidbits or trivia on masse and serve as standalone repositories.
My Canon Priority: Game MSQ/Quests > Game In-Universe Sources > Lorebooks > Dev Statements > Fanon
A really good resource (and laughably more complete than the lorebooks) is Sounssy's Lore Compilation Index OR its more updated version, Mirke's Menagerie., which is an absolutely MASSIVE collection of lore tidbits for inspiration/function. I do cite certain things on my own, but I trimmed down my specific citation list a whole lot since Sounssy's kindly done the work for me.
Lorebooks: Encyclopedia Eorzea, Volume I [Encyclopedia Eorzea, Volume II (Pending)
Other really good sources with a hint of fanon is the Botanica Eorzea and Minerica Eorzea respectively, covering plants and metallurgy, which I will /also/ shamelessly rip from, because it means I have more time to research.
Sources that aren't covered in the primary sources because they're out of date or lacking proper citations, or are things that bear specific mention due to importance.
Actually, NOTHING! Jazz hands All the sources I had here are on Mirke's Menagerie and less paraphrased besides. I'll just state that generally I /still/ don't interact with Male Viera (though I will when they officially come out), the only valid response to a Voidsent is violence, and Sin Eaters belong on the First (but are AMAZING antagonists)
Images, Art, and Screenshots
Copyrighted, commissioned, or borrowed imagery.
Hrje/Eirene/Natsuki Profile Art by Miscarainious Twitter DeviantArt
Hrje Half-Body by Nopan Artists n' Clients Instagram
Eirene NSFW by LuzDelSol Artists n' Clients
Screenshots: Original Content
Backgrounds, ETC: Public Domain if not listed
Druidism Stuff (Eirene)
Aldhouse-Green, Miranda (1997). Exploring the World of the Druids. London: Thames and Hudson.
Chadwick, Nora (1966). The Druids. Cardiff: University of Wales Press.
Cunliffe, Barry (2005). Iron Age Communities in Britain: An account of England, Scotland and Wales from the seventh century BC until the Roman Conquest (Fourth Edition). London and New York: Routledge. ISBN 978-0-415-56292-8.
Hutton, Ronald (1991). The Pagan Religions of the Ancient British Isles: Their Nature and Legacy. Oxford: Blackwell. ISBN 0-631-18946-7.
Hutton, Ronald (2007). The Druids. London: Hambledon Continuum.
Hutton, Ronald (2009). Blood and Mistletoe: The History of the Druids in Britain. New Haven, Connecticut: Yale University Press. ISBN 978-0-300-14485-7.
Rutherford, Ward (1978). The Druids and their Heritage. London: Gordon & Cremonesi. ISBN 978-0-86033-067-7.
Ross, Anne (1967). Pagan Celtic Britain. London: Routledge.
Piggott, Stuart (1968). The Druids. London: Thames and Hudson.
Celtic/Irish Stuff (Eirene)
Borlase, William Copeland (1897). The Dolmens of Ireland. Indiana University: Chapman and Hall.
Brown, Arthur C. L. (1910), "The Bleeding Lance", PMLA, 25 (1): 1–59, hdl:2027/mdp.39015014539368, JSTOR 456810
Bruford, Alan (1966), "Gaelic Folk-Tales and Mediæval Romances: A Study of the Early Modern Irish 'Romantic Tales' and Their Oral Derivatives", Béaloideas, 34: i–v, 1–165, 167–285, JSTOR 20521320
MacQuarrie, Charles W. (2004). The Biography of the Irish God of the Sea from the Voyage of Bran (c.700 A.D.) to Finnegans Wake (1939): The Waves of Manannán. Lampeter, Wales: The Edwin Mellen Press.
MacNeill, Eoin (1908). Duanaire Finn: The book of the Lays of Fionn. pt. 1. ITS 7. For the Irish Texts Society, by D. Nutt.
Murphy, Gerard (1953). Duanaire Finn: The book of the Lays of Fionn. pt. 3. ITS 43. index by Anna O'Sullivan. For the Irish Texts Society, by D. Nutt.
Moore, A. W. (1891). Folk-lore of the Isle of Man. Douglas, Isle of Man: Brown & Son.
Moore, A. W. (1895), "Further Notes on Manx Folklore", He Antiquary, 31: 38–43
O'Curry, Eugene, ed. (1863), "The Fate of the Children of Tuireann ([A]oidhe Chloinne Tuireann)", Atlantis, IV: 157–240
O'Duffy, Richard J., ed. (1888), Oidhe Chloinne Tuireann: Fate of the children of Tuireann, M.H. Gill & Son (for the Society for the Preservation of the Irish language)
——, ed. (1901). Oidhe Chloinne Tuireann: Fate of the children of Tuireann. M.H. Gill & Son (for the Society for the Preservation of the Irish language). (Some of the earlier notes on MSS in the earlier edition are wanting)
Spaan, David B. (1965), "The Place of Manannan Mac Lir in Irish Mythology", Folklore, 76 (3): 176–195, doi:10.1080/0015587X.1965.9717007, JSTOR 1258585
Gedziute, Audrone. "Perceptions of Human Nature in Celtic Tradition: Significance of the Figure of the Bird". In: Folklore Studies / Tautosakos Darbai. 2019, Vol. 58. pp. 189-206. ISSN 1392-2831
Fairy Stuff (Various)
D. L. Ashliman, Fairy Lore: A Handbook (Greenwood, 2006)
Brian Froud and Alan Lee, Faeries (Peacock Press/Bantam, New York, 1978)
Nicola Bown, Fairies in Nineteenth-Century Literature and Art (Cambridge: Cambridge University Press, 2001)
Katharine Briggs, A Dictionary of Fairies: Hobgoblings, Brownies, Bogies, and other Supernatural Creatures (Bungay: Penguin, 1977)
Katharine Briggs, The Fairies in Tradition and Literature, 2nd edition (London: Routledge, 2020)
Ronan Coghlan Handbook of Fairies (Capall Bann, 2002)
Richard Firth Green, Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church (Philadelphia: University of Pennsylvania Press, 2016)
Lizanne Henderson and Edward J. Cowan, Scottish Fairy Belief: A History (Edinburgh, 2001; 2007)
Ronald Hutton, "The Making of the Early Modern British Fairy Tradition," Historical Journal 57(4), 1135–1157
C. S. Lewis, The Discarded Image: An Introduction to Medieval and Renaissance Literature (1964)
Harmonia Saille "Walking the Faery Pathway", (O Books, London, 2010)
Patricia Lysaght, The Banshee: the Irish Supernatural Death Messenger (Glendale Press, Dublin, 1986)
Peter Narvaez, The Good People, New Fairylore Essays (Garland, New York, 1991)
Eva Pocs, Fairies and Witches at the boundary of south-eastern and central Europe FFC no 243 (Helsinki, 1989)
Joseph Ritson, Fairy Tales, Now First Collected: To which are prefixed two dissertations: 1. On Pygmies. 2. On Fairies, London, 1831
Diane Purkiss, Troublesome Things: A History of Fairies and Fairy Stories (Allen Lane, 2000)
Carole G. Silver, Strange and Secret Peoples: Fairies and Victorian Consciousness (Oxford: Oxford University Press, 1999)
Tomkinson, John L. Haunted Greece: Nymphs, Vampires and other Exotika, (Anagnosis, 2004) ISBN 960-88087-0-7
Eastern Spiritualism Stuff (Natsuki)
Yonei, Teruyoshi. "Aramitama". Encyclopedia of Shinto. Kokugakuin University. retrieved 15 April 2021
Yonei, Teruyoshi. "Nigimitama". Encyclopedia of Shinto. Kokugakuin University. retrieved 15 April 2021
Yonei Teruyoshi: "Sakimitama". Encyclopedia of Shinto, Kokugakuin University, retrieved 15 April 2021
Yonei Teruyoshi: "Kushimitama". Encyclopedia of Shinto, Kokugakuin University, retrieved 15 April 2021
Aston, William George. Shinto: way of the gods. Longmans, Green, and Co. (1905)
Blacker, Carmen. The Catalpa Bow: A Study of Shamanistic Practices in Japan. London: George Allen & Unwin. (1975)
Fairchild, William P. "Shamanism in Japan", Folklore Studies 21:1–122. (1962)
Folklore Society, The. Folklore, Volume 10.Great Britain. (1899)
Groemer, Gerald. "Female Shamans in Eastern Japan during the Edo Period", Asian Folklore Studies 66:27–53. (2007)
Hardacre, Helen. "Shinmeiaishinkai and the study of shamanism in contemporary Japanese life," in Religion in Japan, ed. by P.F. Kornicki and I.J. McMullen, Cambridge University Press, pp. 198–219. (1996)
Hearn, Lafcadio. Glimpses of unfamiliar Japan: Volume 1. Houghton, Mifflin and company. (1894)
Hori, Ichiro. Folk Religion in Japan: Continuity and Change. Chicago: Univ. of Chicago Press. (1968) ISBN 0226353346.
Kawamura Kunimitsu. "A Female Shaman's Mind and Body, and Possession", Asian Folklore Studies 62.2:257–289. (2003)
Kuly, Lisa. "Locating Transcendence in Japanese Minzoku Geinô: Yamabushi and Miko Kagura," Ethnologies 25.1:191–208. (2003)
North-China herald and Supreme Court & consular gazette, The: Volume 79 - North-China Herald. (1906)
Ricci, Daniele Japanese Shamanism: trance and possession. Volume Edizioni (Kindle Edition, 2012).
Picken, Stuart DB. The A to Z of Shinto. Scarecrow Press. (2006)
Waley, Arthur. The Noh Plays of Japan. (1921)
Nishimuta, Takao (2007-03-28). "Kannushi". Encyclopedia of Shinto. Kokugakuin. Retrieved 16 April 2021.
Moriyasu, Jin. "Kannushi". Nihon
Nishimura, Hajime (1998). A Comparative History of Ideas. Motilal Banarsidass. ISBN 978-81-208-1004-4.
"Shinshoku". Encyclopædia Britannica Online. Retrieved 18 April 2021.
Hello! Thank you for taking the time to look through my carrd.
I am a World of Warcraft refugee with years of writing experience seeking new horizons and co-authors. Currently, I am going for my BfA in Creative Writing and am interested in writing complex interlacing and interesting stories that both enhance and are enhanced by the setting
I am more an author than a role-player: I am interested in writing a story, not a self-insert to push my views or beliefs (Damn, that sounds pretentious. I promise I mean it as a definition and not as an egoist.) I will do any kind of writing, from dark to erotic, but I gate all of it behind story. I am only here for the story, not to date, nor anything else. Please respect the story/theme/setting and its integrity and we will have a constructive writing experience!
I am a firm believer in In-Character =/= Out-of-Character. I do not tolerate drama or outrage culture and I do not cater to children, no matter how old they claim to be. As authors we should treat each other with respect; respect for our time, for our effort, et cetera - and that includes solving problems civilly and communicating. You can expect to be treated with respect, and I promise I'll do the same.
I am very eager to learn, and will thoroughly research most of the aspects of my character. I generally use lore as a framework to inspire and justify my character, and really like stories that take a similar route (I love narrative cohesion, as the next section will attest) I generally consider the wise saying of "Lack of evidence is not evidence of a lack" as my M.O., which effectively means 'as long as it's not stated NOT to be a thing, I'll accept it'. If I've missed something really critical, though, please send me new citations!
Everyone pays the same $10-15 to play this game. Therefore, they are entitled to enjoy the game and their experience in any way they please - in no way do I mean to imply that they shouldn't. However, my bread and butter are narratively and thematic consistent stories. I love stuff that /feels/ like a Final Fantasy story, for lack of a better word, which means crazy high fantasy shenanigans. That said, I'll try to match themes as best I can with my characters. I draw the line arbitrarily at stuff that is outright stated /not/ to exist or /cannot/ happen, and am strict in that regard (but, really... the lore has very few things it outright forbids.)
My characters are not me. Please understand that portrayal of their themes do not necessarily mean I support or agree with them or anything else. Likewise, your character is not you and I won't bleed the lines.
Most of these are relatively new characters. My research on the topics they cover, in an attempt to portray them accurately is ongoing and generally will be indefinite. They may change or morph if over time. If you have a correction or contribution for my citations sheet, please feel free to contact me. Please ensure your comment or correction is constructive and check the citations first!
Please be advised that due to my status as a college student, I may have limited timeframes to write and will not be available all the time. It's not personal if I'm burned out or uninterested or busy. <3
Email: [email protected]
Can't get a hold of me on Discord or in-game, but want to engage with my story? Want to send feedback but have no interest in actually keeping contact with me? Leave me a line using the form below.
Please be advised that if you're submitting lore corrections I will need you to attach explicit citations.
First, make sure you've read my OOC information. A lot of the information on me as an author is there and this will expound off of the information available therein, rather than acting as a substitute for it.
I generally expect my co-authors to be at least 18+, but I usually aim for 21+ for maturity reasons. I will not write with children.
My writing style tends to be serialized character-driven drama, and I view characters as something akin to colors in a palette. I write with intent and tend to avoid idle 'IDK I'm bored lol' 'chill' stories; I prefer my slice of life stuff to further the plot.
I AM looking for:
Lore Inspired/Abiding (but as long as it doesn't break the theme/setting then :ok_hand:)
Long(ish) Stories, or meaningful shorts.
Well-presented stories of all genres!
People who know how to communicate.
I am NOT looking for:
Clinging, projecting, etc. I'm not your girlfriend.
OOC Children (and largely IC ones too.)
Explicit lore breaking. I will bend a lot if there's any possibility.
Male Viera (Not interested, non-negotiable, don't make me write with them. I'll lift this when they officially come out.)
Source Sin Eaters/'Shard Travelers'
Non-FFXIV Characters (YoRHA/F11 Chars)
In the instance of something like a Sin Eater or a First character, I'm still willing to roleplay with you! All of my characters have similar or identical adaptations/counterparts on the First, though the timelines between the First and Source versions of the characters are distinctly separate and one doesn't affect the other.
None of my characters will ever associate knowingly with a Voidsent character in any capacity UNLESS they EXPLICITELY explain that they want to be exorcised OOC beforehand and that's the arc we're interacting on. As a reminder, Voidsent are KILL ON SIGHT, and associating with one is a capital offense which gets you executed. I've met WAAAAY too many people trying to pull the 'We're harmless, :) You're just ignorant!' card, or the 'I'm a Grand Company officer and I order you to not kill this Voidsent!' card. You're not an officer of anything after that order. Haukke Manor, The THM/BLM/BLU/GLD/PLD quests, Tam-Tara Deepcroft, PoTD - this fact is /baked into/ the first lore you're exposed to and kept consistent throughout the MSQ. It's not subversive or interesting, it's a complete disregard for theme and consequences. It is a LITERAL DEMON. Voidsent possession/corruption all makes good CONFLICT. Voidsent make good ANTAGONISTS. They aren't tea buddies, or friends, and will not be received well.